Josh Millard again joins Eran and Jesse, this time to commiserate over the deeply awful “Brainscan”. In the process, we unlock a vast Aerosmith/David Fincher metanarrative and discuss whether Edward Furlong knows how to put milk in his mouth.
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Eran, Jesse, and first-time co-host Nunk discuss Shyamalan’s “Unbreakable”, superhero movies, the trappings of populist art, and Powerball.
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Jon, Eran, and Jesse – the first three hosts – come together for the first time, to discuss the sometimes-flawed but profoundly enjoyable John Landis classic An American Werewolf in London, and what it pulled off that most movies still can’t.
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In our first three-person episode, we settle in with some bourbon and Josh Millard to fondly discuss 1988’s Willow – why it’s still a total joy to watch, how it creates a refreshingly different kind of protagonist, and how it deserves to be remembered.
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A 2011 favorite of both Jesse and Eran’s, Attack the Block is a chance to explore how great characters, a kinetic script, and alien gorilla-wolves can come together to make one of the funnest, liveliest films in recent memory.
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Jesse and Eran talk about boners for an unreasonably long time before moving on to the rest of Holy Motors; an acclaimed and often-strange series of character vignettes carried off by an extraordinary Denis Lavant.
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Drunk, and together at last, Eran and Jesse discuss New Orleans, Beasts of the Southern Wild, and some juicy sponsorship opportunities.
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Alan Moore’s acclaimed, “unfilmable” graphic novel comes to the screen, and Eran and Jesse discuss whether Zack Snyder was able to pull it off.
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“Prince of Darkness” isn’t the first movie you think of when someone says “John Carpenter”, but Eran and Jesse pay it a visit and see how a filmmaker’s ingenuity can make a bad film, in some ways, pretty great.
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Recorded on Dec 26, Eran and Jesse discuss how experts smuggle booze onto a plane, then get into Ralph Bakshi’s 1977 epic “Wizards”; its strange appeal, major shortcomings, and its odd production serendipity with Star Wars.
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